Martin Heise ist eingebildeter Schlauspieler und hat stattdessen als technischer Assistent u.a. für das Performance-Kollektiv SIGNA gearbeitet; Kunst-Ausstellungen, Theater- und Musikfestivals, sowie Produktionen der Berliner Festspiele aufgebaut.
Projects with andpartnersincrime:
ÜBER DAS UNBEHAGEN ZU WOHNEN – EIN BÜHNENSTÜCK (2025)
TO THE RIGHT OF US THE LAND (2025)
© Bündniserklärung Ernährungsgerechtigkeit
Gemeinsam mit dem Ernährungsrat Frankfurt, dem Verein für Klimagerechtigkeit, der Initiative Eine Stadt für alle, der Küfa Food That’s Left, der ada_kantine und vielen weiteren Initiativen haben wir ein Bündnis für mehr Ernährungsgerechtigkeit in Frankfurt gegründet.
Unser Motto:
Von der Frankfurter Küche zur Frankfurter Stadtteilküche.
Die Bündniserklärung könnt ihr hier noch unterzeichnen:
https://www.change.org/p/ernährungsgerechtigkeit-jetzt-kommunale-stadtteilküchen-für-frankfurt
Ein Text von Michaela Filla-Raquin
Michaela Filla-Raquin führt in ihrem Text durch die Ausstellung. Eine Zeitreise durch den Gang der urbanen Kämpfe der frühen 1970er.
Die Ausstellung „Dieses Haus ist besetzt! Frankfurter Häuserkampf 1970–1974“ fand im Studierendenhaus auf dem Campus Bockenheim statt und wurde vom September bis Oktober 2020 gezeigt. Sie wurde vom Frankfurter Archiv der Revolte e.V. und der Initiative Offenes Haus der Kulturen veranstaltet und behandelte den Häuserkampf der 1970er Jahre sowie dessen Bezug zu heutigen Wohnraumkämpfen
30 Jahre nach der ersten Hausbesetzung in Frankfurt am Main im Jahr 1970 erarbeitete und organisierte ein Team des “Frankfurter Archiv der Revolte“ die Ausstellung Dieses Haus ist besetzt! Frankfurter Häuserkampf 1970–1974, in der die Hintergründe und Verlaufsformen des bundesweit ersten Zyklus von Hausbesetzungen präsentiert werden. Wie eine wandzeitungsartige Zeitreise durch den Gang der urbanen Kämpfe der frühen 1970er wird diese Zeit dabei in Szene gesetzt.
Neben dem Rückblick versucht die Ausstellung auch, einen kurzen und knappen Blick in die Gegenwart zu werfen, denn viele der Ausgangspunkte der Konflikte der 1970er Jahre sind auch in der Gegenwart noch präsent: Wohnungsnot, unbezahlbare Mieten, Gentrifizierung, investorengesteuerter Luxuswohnungsbau etc. sind auch im heutigen Frankfurt nicht zu übergehen. Dementsprechend ist auch Protest und Widerstand wahrnehmbar. Das Ziel „Stadt für alle“ bleibt auf der Tagesordnung.
Die Ausstellung umfasst ca. 20 Plakate mit Hintergrundinformationen und Fotos, Zeitungsausschnitten, Flugblättern und weiteren Materialien der Zeit.
Nepomuck (Inga) Bendukat is a theater scholar, freelance dramaturge, and activist. Since 2023, Nepomuck has directed Bendukat together with Eleonora Herder andpartnersincrime. Nepomuck is currently working on his dissertation: "The Search for Queertopia. Of Potential, But Porous Theater Venues. (Situative Working Title)." In this dissertation, Nepomuck works from an anarchist, queer-feminist perspective on the destruction of ideologies and inquires into a theater of de-subjugation (Foucault), resistance, and solidarity-based practice. Nepomuck has taught at the Department of Theater Studies at the University of Frankfurt am Main and at the Institute for Theater Studies at the University of Vienna. In 2024, Nepomuck, together with Fanti Baum, created the audio walk for those who do not belong – Movements along the incomprehensible / PiratixUtopia (Audiowalk) developed.
Projects with andpartnersincrime:
AFTER THE END OF THE MEETING: THE ACADEMY (2020)
AFTER THE END OF THE ASSEMBLY: THE PARLIAMENT (2020)
MAINTENANCE ART (2021)
ACADEMY OF THE RADICALLY CARING (2022)
EMPTY CITY (2023)
for those who do not belong – MOVEMENTS ALONG THE UNFORGETTABLE
PiratixUtopia (Audiowalk) (2024)
TO THE RIGHT OF US THE LAND (2025)
Workshop and film with children from Leipzig Grünau
Mousonturm Artists' House / Take Heart Program Performing Arts Fund / Heizhaus Sociocultural Center
Urban planning therefore has a significant impact on children’s upbringing and social advancement opportunities.
In socially disadvantaged neighborhoods, there is often an agglomeration of deficits in the design of outdoor spaces, which impair children's development and lead to exclusion from social participation.
In "The Child's Gaze," director and dramaturge Eleonora Lela Herder and video artist Jos Diegel explored the topic of "the geography of childhood" from an artistic perspective. The focus was on the question of what opportunities children and young people have to participate and shape urban space.
This should involve a shift in perspective: for which assumed norm was the public space designed, and what viewpoints and perspectives arise for those not considered in this spatial design? What representational means make the child's view of the city tangible for adults?
Sinem Dinara Hartmann, Malou Löffler, Ben Zeisler, Kira-Katharina Zimmermann
Natalie Hadarie, Anna Döhler, Finja Döhler, Timmy Eggert, Emilia Ehrenberg, Josephine Etumunu, Sinem Dinara Hartmann, Anton Hermann, Raciel, Carlos Ros, Fanny Schreiber, Saskia Schürmeier, Alina Stäbler, Oskar Stäbler, Diana Sulaimani, Anna Sophie Ulrich, Emily Wende
Artistic Director: Eleonora L. Herder
Camera, editing, video design: Jos Diegel
Camera, editing, location scouting: Michelle Koprow
Sound design and composition: Jonas Harksen
Production dramaturgy: Sarah Charlotte Becker
Creative Producer: Sven Rausch
TEAM HEIZHAUS/Project GRÜNAU ON TOUR
Choreography and rehearsal: Johanna Uhle & Mechthild Schade
Supervision: Mandy Unger, Laura Wilmer
Pedagogical support: Marie Molle, Paul Illner, Josefine Bartl
© Admassou Kombolcha
Eleonora L. Herder works as a director, dramaturge, and curator. After receiving her diploma in dramatic writing and theater direction from the Institut del Teatre, the state theater school in Barcelona, she went on to complete a master's degree in Applied Theater Studies in Giessen.
With the one she initiated Label and partners in crime She has so far been able to realize performances at the Mousonturm in Frankfurt am Main, at the Theater Zeitraumexit in Mannheim, at the Staatstheater Kassel, at the Teatre Lluire in Barcelona and the Teatre Ochoty in Warsaw.
In 2020, andpartnersincrime, together with several local initiatives, ada_kantine A neighborhood canteen for homeless people was founded. Since then, several artistic formats have been developed in collaboration with the activists and users of this canteen.
As a dramaturge, Eleonora L. Herder has previously worked with the Catalan director Alex Rigola, the Iranian director Arvand Dashtaray, the Iraqi director Akram Assam and the Catalan director Alicia Gorina In these collaborations, she not only oversaw the conceptual side of the production but also developed the play texts.
For Eleonora L. Herder, a central dramaturgical tool is conducting qualitative interviews and the methods of activist research, which always reflects one's own involvement.
Awards: 2009 Young Director Prize Barcelona, Postgraduate Award of the Hessian Theatre Academy, Scholarship of the International Forum of the Theatertreffen 2015, Scholarship of the Biennial of Buenos Aires. The book "WO STEHST DU" has been selected for the longlist of the competition "Förderpreis für junge Buchgestaltung 2017" (advancement award for young book design 2017).
From 2016 to 2019, Eleonora L. Herder was a board member of the cultural policy association ID_Frankfurt, which is committed to improving the working conditions of the independent performance scene in the Rhine-Main area. For its many years of commitment, the association received the Binding Cultural Prize, one of Germany's most highly endowed cultural prizes. As part of this work, she headed the Performance festival IMPLANTIEREN.
Anna Sukhova graduated from the State Academy "Stroganov" in Moscow, Russia in 2013 with a diploma in graphic design. Since 2013 she has been studying typography and graphic design at the Academy of Design in Offenbach am Main. In her independent, freelance work she focuses on the medium of books, print media and exhibition design.
Her most recent works are the interactive performance book «What is your position? A city guide who is a performance, which is a city tour» , the publication of the annual report 2016 of the University of Art and Design Offenbach; the design of the exhibition "Scripted Spaces" at the Galerie Satelit in Berlin; and the concept and design of the exhibition "Amateur, Sprache" at PaTI in Seoul, Korea. Furthermore, she developed a book series for the Moscow publishing house Ad Margenem in cooperation with GARAGE, the Museum of Modern Art in Moscow.
She was in charge of the corporate design of the performance festival IMPLANTIEREN as well as of the socio-cultural center "Offenes Haus der Kulturen".
At andpartnersincrime she works as a graphic designer, stage designer and performer.
Projects with andpartnersincrime:
© Antoinette Dyksmann
Teresa Riemann (*1988 Dachau) is a Berlin-based multi-instrumentalist, poet and performance artist who began learning the piano at the age of 6, left classical training at the age of 16 and began to explore different instruments on her own: guitar, cello and, since 2012, drums.
Since then, she has developed her own unique style of convulsive percussion. She accompanies her drumming with the eclectic use of her fragmented voice and spontaneously recites fragments from humankind's living memory.
In addition to her intensive noise drumming solo project, she also performs a solo piano project (A tender kiss into the void) and plays in the groups TRAS (Asja Skrinik – electronics & vocals; Teresa Riemann – drums & vocals), Shake the Train (Damien Jaroszonek – modular synthesizers; Lukas Huerta-Rueckner – trumpet, harmonica, vocals; Teresa Riemann – drums, vocals) and Naked in the Zoo (Ruben Tenenbaum – violin; Teresa Riemann – drums, vocals). https://teresariemann.com/
Aside from her musical work, she works in the field of disturbing performance art, dance and experimental theater.
Projects with andpartnersincrime
To our right the country – A coffee trip by andpartnersincrime
© Zino Peterek
Tim Schuster has been working as a freelance performance artist in Frankfurt am Main since 2008. Alongside andpartnersincrime, he is part of the group red park, which operates at the Künstlerhaus Mousonturm, among other places, but also with happenings and artistic interventions beyond theater institutions. After studying political science, history, German studies, and economics in Frankfurt and Santiago de Chile, he completed his doctorate under Hans-Thies Lehmann and Nikolaus Müller-Schöll on space in post-dramatic theater. In 2009, he co-founded the group Arty Chock, with performances at studioNaxos, Landestheater Marburg, and Theater Gessnerallee Zurich, among others. He co-founded the initiative for an Open House of Cultures and has been working as managing director for the association of the same name since 2017, developing the Frankfurt student house into a self-organized cultural center.
Projects with andpartnersincrime:
Contact: tim@andpartnersincrime.org
© Eva Tuerbl
Anna Stiede is a performer, presenter, political scientist, political communication artist, and Italian-German translator (among others for the Istoreco Institute in Reggio Emilia). The fact that she was born in a country that simply no longer exists on the map—the GDR—has stayed with her constantly. Her topics include the histories of social movements, reproductive economics, and communication. Since 2019, she has worked with the independent theater collective "Panzerkreuzer Rotkäppchen" and has toured with the Meckerchor as ANNAMEDEA. Stiede is a co-founder of the Women's Association of Political Scientists.
Projects with andpartnersincrime
To our right the country – A coffee trip by andpartnersincrime
