All posts tagged “Workshops

The childlike gaze

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THE CHILD'S VIEW

Workshop and film with children from Leipzig Grünau

Mousonturm Artists' House / Take Heart Program Performing Arts Fund / Heizhaus Sociocultural Center

Urban planning therefore has a significant impact on children’s upbringing and social advancement opportunities.
In socially disadvantaged neighborhoods, there is often an agglomeration of deficits in the design of outdoor spaces, which impair children's development and lead to exclusion from social participation. 

In "The Child's Gaze," director and dramaturge Eleonora Lela Herder and video artist Jos Diegel explored the topic of "the geography of childhood" from an artistic perspective. The focus was on the question of what opportunities children and young people have to participate and shape urban space.
This should involve a shift in perspective: for which assumed norm was the public space designed, and what viewpoints and perspectives arise for those not considered in this spatial design? What representational means make the child's view of the city tangible for adults?

Sinem Dinara Hartmann, Malou Löffler, Ben Zeisler, Kira-Katharina Zimmermann

Natalie Hadarie, Anna Döhler, Finja Döhler, Timmy Eggert, Emilia Ehrenberg, Josephine Etumunu, Sinem Dinara Hartmann, Anton Hermann, Raciel, Carlos Ros, Fanny Schreiber, Saskia Schürmeier, Alina Stäbler, Oskar Stäbler, Diana Sulaimani, Anna Sophie Ulrich, Emily Wende 

Artistic Director: Eleonora L. Herder
Camera, editing, video design: Jos Diegel
Camera, editing, location scouting: Michelle Koprow
Sound design and composition: Jonas Harksen
Production dramaturgy: Sarah Charlotte Becker
Creative Producer: Sven Rausch

TEAM HEIZHAUS/Project GRÜNAU ON TOUR

Choreography and rehearsal: Johanna Uhle & Mechthild Schade
Supervision: Mandy Unger, Laura Wilmer
Pedagogical support: Marie Molle, Paul Illner, Josefine Bartl

Grandma Brigitte. Educator in the GDR.
Michelle, grew up in Grünau in the 1990s
Madlen, 1994-1998 in a children's home in Grünau

We have no art: we do everything as well as we can.

Academy II Workshops-40
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Photos: Robin Junicke and Impulse Festival

We have no art: we do everything as well as we can.

Impulse Academy, Impulse Festival, Mühlheim an der Ruhr, 2022

What if reproduction, rather than production, were at the center of our understanding of art? What if relationships of care enriched artistic collaboration rather than inhibiting it? How do artistic work processes function when they are no longer conceived in neoliberal production logics, but rather as maintenance, as resumption and reconnection? What can art learn from radical care work activists here? And what if we ultimately understood art itself as care work? Would that then be maintenance art?

Together with actors from artistic practice, students, dramaturgy and production, a workshop by andpartnersincrime explored a form of independent theatre that combines art and care work and tested this maintenance art in the urban space of Mülheim.

Free childcare was available throughout the workshops. This is part of the question of how to integrate art and care work!

15.- 18th of Juni 2023, Mühlheim an der Ruhr

https://www.impulsefestival.de

https://www.cheersforfears.de/impulse-akademie/

PUBLIC SPACE

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PUBLIC SPACE

Institut del teatre, Barcelona 2018

Class for students of scenography

This course aimed to explore and deepen the field of public space as a possible performative space.

The idea was to investigate to what extent urban space is still a public space. And, if that's the case, who would be the audience and who the actors of this space.

How can public space work as a stage for a performance and simultaneously analyse where public space, already by nature, acts as a stage. For what performance? And who directs it? How can we, with the world's tools of theatre and performance, subvert this urban show?

How, by means of artistic interventions, can we reclaim public space and turn it back into a democratic platform?

January 2018, 45 hours, 15 Students

A project of the Institut del Teatre, Diputacion de Barcelona

JUMP THE FENCE

JUMP THE FENCE

Flux artist residency

Nidda, March 1-April 29, 2018

What if we all change our identities, burn our passports and become world citizens? No more nationality. Would that mean that no one would be illegal anymore?

In March and April, the former jewellery shop at Mühlstraße 1 in Nidda was transformed into an art space - and Nidda became the cosmopolitan city of Nidda Mundi. andpartnersincrime spent two months dealing with the topic of boundaries - we collected stories, ran across boundaries, discovered new ones and moved some - not least in our own minds. Together with the citizens of Nidda, we searched for the borders, open or hidden, visible or initially invisible.

The project was part of a residence of FLUX - Theatre und School and was supported by the state of Hesse. With support of the city of Nidda.

www.andpartnerincrime.org

Contact: lela@andpartnersincrime.org

Our partners: 

Direction: Eleonora Herder, Saeed Sedaghat, Tim Schuster

Space and layout: Anna Sukhova

Video: Julia Novacek

Production management: Charlotte Hesse

Partners in crime in Nidda: Gosia and Joachim Stephan, Daniel der Barman, Granny Chris, Johnny Avuka and Heidelore Ocken- Willisch

09.03. 2018

OPENING PARTY WITH ALL WORLD CITIZENS AND THOSE WHO WANT TO BECOME ONE!

From 18:00h bar night with live music and games

12:00h Project presentation

11.03.2018

Sweet and Swing: Hot waffles and music

23.03.2018

From 18:00h bar night with live music and games

30.03.2018

from 18:00h GOOD FRIDAYS Get-together

06.04.2018 from 18:00h

From 18:00h bar night with live music and games

07.04.2018

LECTURE by Noa Winter: "Boundaries from the Perspective of Disability Studies", followed by a discussion.

Wheelchair ride through Nidda: The citizen Sylvia Pollux leads us by wheelchair through Nidda and shows us her boundaries.

13.04.2018

Costume and make-up workshop with Gosia Stefan and members of the Abadiha Mosque in Nidda.

14.04.2018

Film screening of RIVERBANKS, followed by discussion

18.04.2018

Workshop at Nidda Grammar School: WHAT IS DOCUMENTARY THEATRE?

20.04.2018 

 From 18:00h bar night with live music and games

21.04.2018

LECTURE by Marc Behrens: "Vagaland Elgerland. Foundation of States in Art"

25.04.2018

Workshop at Nidda Grammar School: WHAT IS DOCUMENTARY THEATRE?

27.04.2018

Instrument building workshop - what exactly is a world instrument?

28.04.2018

14:00h LECTURE by Dr. Leon Gabriel: "Branching the Border: Strategies of Division in Theatre"/ followed by discussion

16:00h Parade through Nidda. Performative opening of Nidda Mundi.

18:00h Award ceremony of the World Citizen Passports.

Closing concert.

Will Nidda become a world city, theatrum mundi? Is there really an art space in the heart of the city, at Mühlstraße 1, open until the end of April, with such open offerings that the motto "Jump the fence" can be experienced by all citizens?

Oberhessischer Kreisanzeiger, March 3, 2018

There was no shortage of materials. The operators of the Lumos cinema donated movie posters, which – colorful and made of sturdy paper – proved to be ideal raw materials. The "Andpartnersincrime" team organized paints, glue, and other materials. Nidda resident Gosia Michalak-Stephan proved to be the source of ideas and a "woman with magic hands" during the two workshops. There was painting and gluing, cutting and folding, fitting, and makeup. Ursula Encke provided sewn costumes. She was also the one who played music with Joachim Stephan. Music from other countries was also featured: the Afghan artist Fahim played instruments from his homeland and India. An intense workshop atmosphere developed, and a song was written and composed. Many beautiful things emerged. Too bad to be put away after just two workshops. "Costumes and Masks for Nidda"

Oberhessischer Kreisanzeiger, April 10, 2018

The idea of the global citizen passport emerged shortly after World War II. Instead of becoming entangled in nationalism and friend-enemy thinking, people were invited to see themselves as citizens of one world. – "Symbol of a borderless world" 

Oberhessischer Kreisanzeiger, April 10, 2018

DOCUMENTARY THEATRE

DOCUMENTARY THEATRE

University of applied sciences, Frankfurt

2018

Introductory seminar on contemporary documentary theatre.

In this block seminar, we worked together with students from the FH (University of Applied Sciences) in Frankfurt on both theoretical and practical aspects of what a document is and how it can have a performative and narrative effect on stage.

In addition to the screening and analysis of works by SheShePop, Boris Nikitin and Rabih Mroué, we gave insights into the methods of andpartnersincrime and ended with a small performance.

18 hours

8 students

A project of the University of applied Sciences, Frankfurt

The Invisible City

The Invisible City

Lab for performative research

8 – 10 September 2017

What is a home? And what is a city? Can a city be seen as a collection of temporary and permanent homes? Can we speak of a city as a home? And what does it mean, according to Article 13 of the Basic Law, that the dwelling is "inviolable"? And what does it mean when just below it, in article 14, it says "property is obligatory". To what? Speaking about habitation means talking about our understanding of property, especially in Frankfurt, where the German squatter movement began.

The lab tries to revive these questions through interviews with activists of the "Eine Stadt für alle" (A City for All) movement.

Lisa Hahn is an activist in the initiative „Eine Stadt für alle – Wem gehört die AGB?” (A City for All - Who does the AGB (general terms and conditions) belong to?)

She studied Human Geography & Urban Research in Frankfurt. She focused more and more on the topic of housing and wrote her master's thesis on student housing. Since October last year Lisa Hahn has been working as a research assistant in local politics for the parliamentary group Die Linke (democratic left party) in the area of planning and housing policy and urban development.

The alliance "A City for All - Who does the AGB belong to?" is a forum for housing policy and neighbourhood initiatives from Frankfurt (and the surrounding area) and launches various actions and campaigns on a regular basis. In particular, the campaign "We are half the city" is about demanding high-quality and long-term affordable social housing in Frankfurt.

Images create cities. Whether official marketing or selfies in front of sights: cities and public spaces are often reduced to the visual. In doing so, they are particularly shaped by what cannot be seen, such as infrastructures and memories, norms and restrictions, plans and forgotten utopias. Beneath the surface of the images, the invisible city is hidden: firstly, with its different lifeforms, its history, its becoming and passing; secondly, with its borders, exclusions and marginalizations. Cities are spaces in which the future is permanently negotiated. They are reservoirs of the past, motors of the present and laboratories of the future - in the good and bad sense.

Since 2012 laPROF has been holding laboratories for performative research on a regular basis in order to make contemporary artistic methods openly accessible. In small laboratories, artists work together with participants on specific topics, making their methods of working and their aesthetic stance transparent. On the weekend of 8-10 September 2017 laPROF will organise a laboratory for performative urban research. The invited artists will research with the participants on concealed issues and stories in Frankfurt. Following artists will be there:

Ligna (Performance collective, Frankfurt/Hamburg): Construction and demolition

Friendly Fire (Performance collective/Leipzig): Places of protest

Diana Wesser (Visual artist and performer/Leipzig): Traces of Jewish history

Eleonora Herder (Performance artist/Frankfurt) with Lisa Hahn (Activist „A city for all"/Frankfurt): Coexistence

The event will be based in the student house in Bockenheim, the research will mainly cover the districts of Bockenheim and Westend. The laboratories will investigate concrete places, their history, how they function, what they show or hide. At the end of the weekend, the participants will create small audio or video tracks from their research, which will be implemented on a website and then, if possible, made openly accessible at the respective locations. This will create a pool of small artistic interventions. In addition to the open House of Cultures initiative, cooperation partners are the "Stadtlabor unterwegs" (City lab on the move) of the Historical Museum and the Jewish Museum.

At the beginning on Friday there will be an introduction by Jan Deck (independent theatre maker/laPROF) and Patrick Primavesi (Professor of Theatre Studies/Leipzig). Afterwards there will be a tour with Norbert Saßmannshausen, a district historian.

Qualitative interviews are used to generate data in the form of narrations and statements about a subject. However, the statements are not facts or views that are to be elicited from the interviewee as fixed units. Rather, they are communicatively generated data that arise in an interaction between the interviewee and the interviewer, including their verbal and non-verbal interactions.

Thus, the context of the data production is considered an immanent part of the data itself. The interview context should be integrated into the analysis.

An essential part of this happens through the self-reflection of the researchers. This also includes becoming aware of one's own position in relation to the interviewee and the object of research.

Qualitative interviews reveal what the spatial appropriation of one person does to the claims, rights and practices of another. In this sense, interviews can make a contribution to the pluralization of the city, they can be supportive in formulating and explaining the "right to the city". It has also become clear that the city actually takes placein the interview – and is not just being remembered and told of. If an interview is carried out on site, it is not only talked about the city, but the people involved in the interview create the city in their interaction.

DIGITAL CULTURES: Porranny Spacer

DIGITAL CULTURES: Porranny Spacer

Conference in Warsaw

September 26, 2017

On Tuesday the 26th of September at 3:30 p.m. the dramaturg Szymon Wróblewski will talk about “Poranny Spacer” in the frame of DIGITAL CULTURE's panel “Best of Poland” The event takes place at: Copernicus Science Center
Wybrzeże Kościuszkowskie 20,
00-90 Warsaw

you can order your ticket here:
www.digitalcultures.pl/en

Under the pavement- spaces of remembrance

Under the pavement- spaces of remembrance

Theatertreffen, Berlin

2016

Workshop leader: Eleonora Herder

Venue: Haus der Berliner Festspiele

Date: 14 May 2016, 11:00am

Walking as a practice of remembering and re-narrating. During the workshop I would like to ask which artistic strategies can be developed to make (former) utopias become visible and hearable and though stage the explosive potential of places.

Memories and other Spaces

WORKSHOP

Muntada Al Masrah, Baghdad, Iraq

19th and 20th of November 2019, 10 am to 4 pm in

The present epoch will perhaps be above all the epoch of space. We are in the epoch of simultaneity: we are in the epoch of juxtaposition, the epoch of the near and far, of the side-by-side, of the dispersed. We are at a moment, I believe, when our experience of the world is less that of a long life developing through time than that of a networks.


(Michel Foucault, Of other spaces, 1967)

The Italian mathematician and astronomer Galileo Galilei was persecuted by his contemporaries, because he kept saying that the planet earth was not the center of the universe, but was actually one out of many planets rotating around the sun. They wanted to kill him, because they couldn't stand this new perspective: suddenly our planet was just one star among many... 

Space is relative. A place is much more than a geographical location. Its dimensions depend on how and from where we look at it. If you are a turtle, a living room can seem as big as a football field. If you are the operator of a drone, you can be in your little office in Nevada drinking a cup of tea and at the same time at war in Afghanistan. If you are in love, the room of an old and shabby hotel for hours may seem the palace of a princess. Europe can be a place for hopes and dreams or a nightmare.

The artists Akram Assam, Eleonora Herder and Soran Ahmed are interested in different phenomena of globalization such as migration, the war on resources and the representation of places in the globalized media.

The workshop touches the following dramaturgical questions and techniques:

  • What does documentary work mean in theater?
  • How can we use our own biographies and memories as a material for the stage?
  • How to conduct an interview on memories?
  • How to use documentary video material on stage?

More Information: https://www.facebook.com/MuntadaAlmasrah

Sensa Sortida – institutional critique

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DULL SENSATION

Institut del teatre, Barcelona, 2020

In the last two decades a new genre of post-dramatic theatre has emerged that is often described as performance-installation or theatre installation.Despite having its origin in an aesthetic crisis that was created in the context of the plastic arts in the 1960s, the theatre installation is distinguished from the plastic installation by an important characteristic: it turns space into narration and the spectator into the protagonist of the story. This makes it an interesting instrument for all those who are in search of other - perhaps more democratic - forms of narration. 

January 2020, 60 hours, 9 Students

A project of the Institut del Teatre, Diputacion de Barcelona